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Aunt Grenertsen certainly was difficult to talk with; and sometimes he did not even get a “half moon.” He believed he wouldn’t go there any more, or try to please either her or old Katrina, who was almost worse than Aunt Grenertsen. “Why, I invite you, you see.” Emilia, the elder, inherited much of her mother's disposition. She had a mild and sweet temper, united with a clear and comprehensive mind. Her younger sister, Julia, was of a more lively cast. An extreme sensibility subjected her to frequent uneasiness; her temper was warm, but generous; she was quickly irritated, and quickly appeased; and to a reproof, however gentle, she would often weep, but was never sullen. Her imagination was ardent, and her mind early exhibited symptoms of genius. It was the particular care of Madame de Menon to counteract those traits in the disposition of her young pupils, which appeared inimical to their future happiness; and for this task she had abilities which entitled her to hope for success. A series of early misfortunes had entendered her heart, without weakening the powers of her understanding. In retirement she had acquired tranquillity, and had almost lost the consciousness of those sorrows which yet threw a soft and not unpleasing shade over her character. She loved her young charge with maternal fondness, and their gradual improvement and respectful tenderness repaid all her anxiety. Madame excelled in music and drawing. She had often forgot her sorrows in these amusements, when her mind was too much occupied to derive consolation from books, and she was assiduous to impart to Emilia and Julia a power so valuable as that of beguiling the sense of affliction. Emilia's taste led her to drawing, and she soon made rapid advances in that art. Julia was uncommonly susceptible of the charms of harmony. She had feelings which trembled in unison to all its various and enchanting powers..

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Towards the close of the sixteenth century, this castle was in the possession of Ferdinand, fifth marquis of Mazzini, and was for some years the principal residence of his family. He was a man of a voluptuous and imperious character. To his first wife, he married Louisa Bernini, second daughter of the Count della Salario, a lady yet more distinguished for the sweetness of her manners and the gentleness of her disposition, than for her beauty. She brought the marquis one son and two daughters, who lost their amiable mother in early childhood. The arrogant and impetuous character of the marquis operated powerfully upon the mild and susceptible nature of his lady: and it was by many persons believed, that his unkindness and neglect put a period to her life. However this might be, he soon afterwards married Maria de Vellorno, a young lady eminently beautiful, but of a character very opposite to that of her predecessor. She was a woman of infinite art, devoted to pleasure, and of an unconquerable spirit. The marquis, whose heart was dead to paternal tenderness, and whose present lady was too volatile to attend to domestic concerns, committed the education of his daughters to the care of a lady, completely qualified for the undertaking, and who was distantly related to the late marchioness. The mansion was irregular and vast, and he was bewildered in its intricacies. In endeavouring to find his way back, he only perplexed himself more, till at length he arrived at a door, which he believed led into the hall he first quitted. On opening it he discovered, by the faint light of the moon, a large place which he scarcely knew whether to think a cloister, a chapel, or a hall. It retired in long perspective, in arches, and terminated in a large iron gate, through which appeared the open country. If he only hadn’t smashed Tellef’s fishing rod yesterday! “Oh, we found plenty to do,” said Jerry..